On the cutting edge, digital still cameras for film. Part 2

In part 1 I talked about why we are looking at using digital still camera for this documentary. In this post I’ll be talking about the advantages of using these camera.

In order to make a proper assessment of this equipment we researched what the capabilities of these cameras were and why someone would want to use them.

Image Sensor

One of the big advantages of still camera is the image sensors. They are designed to mimic film and the imagery they produce is exceptional. They work very well in daylight and low light. There are some limitation in low lighting. If you need to film in very low light then you may loose some image quality. However for our project which consist of a lot of well lit interviews we felt this was not a problem.

Its a lot easier to show you what these cameras can do. Here are a couple of short videos that really highlight image quality of these digital still cameras.

This first video is from CrunchGear’s review of the T2i.

Canon T2i demo reel from CrunchGear on Vimeo.

The second video is by Philip Bloom who is a director of Photography and knows how to make these camera shine. Shot with a Canon 7D and Canon 5D.

Skywalker Ranch from Philip Bloom on Vimeo.

Price

Another big advantage to is there priced. For example, a Canon T2i is about $900. On the higher end, a Canon 5D is about $2,500. These prices are for the camera body and a basic lens. In order to film this project we will need to buy lenses and rigging that will help get the best shot. The extras will bring the cost of equipment up but these cameras are still a lot less expensive than high definition camcorders that can be as much as $30,000.

One of the goals of this project is to produce something that could be shown on TV. Part of the challenge of this goal making something of this quality is that it can coast hundreds of thousands of dollars. This can include equipment as well as salaries. So using this camera to do most of the filming in one strategy we are using to keep costs down.

Do they stack up?

It’s great that digital still camera have high quality sensors and are reasonably priced but how do they stack up against real film cameras? Well we are no experts in this field but we found some people who are.

If you are interested in a very geeky breakdown of how digital still camera stack up to film cameras I highly recommend Zacuto’s Great camera Showdown of 2010. It’s about an hour and half long and they put these cameras through a number of very scientific tests. Then they get feedback from various professional film makers. It’s interesting to see what these camera’s can do and the promise they hold.

Stay tuned for part 3 where I’ll talk about the disadvantages we found to using digital still cameras in a film.

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About Nelson de Witt

Nelson/Roberto – The son of Ana Milagro he was separated from the family shortly before his first birthday. He grew up in the Boston area with his adoptive parents and younger bother. He now works to share his family’s story and is making a documentary about life 30 years after the war. http://www.nelsondewitt.com
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3 Responses to On the cutting edge, digital still cameras for film. Part 2

  1. Pingback: Tweets that mention On the cutting edge, digital still cameras for film. Part 2 | Ana's Miracle -- Topsy.com

  2. Nice post Nelson- I hear John talking about you and this camera all the time. You did a great job of bringing it home for me in non-film industry terms. Lorie

  3. Thanks Lorie! I was really trying to explain everything without being too
    technical. Sounds like I did a pretty good job.

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